{"id":74123,"date":"2024-10-22T15:40:22","date_gmt":"2024-10-22T15:40:22","guid":{"rendered":"https:\/\/kulturaktiv.org\/?p=74123"},"modified":"2024-10-30T12:47:03","modified_gmt":"2024-10-30T12:47:03","slug":"dresden-speaks-bulgarian","status":"publish","type":"post","link":"https:\/\/kulturaktiv.org\/en\/dresden-speaks-bulgarian\/","title":{"rendered":"Dresden speaks \u2026 Bulgarian"},"content":{"rendered":"\n
<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Bulgarian language<\/h2>\n\n\n\n

The Bulgarian language is one of the oldest Slavic languages. It has existed for around 1000 years and was of supra-regional importance in the Christian Orthodox area. Alongside Hebrew, Greek and Latin, this was the first time that another language was permitted to be used in Christian worship, and Old Bulgarian became the liturgical language of the church, the so-called Old Church Slavonic.<\/p>\n\n\n\n

In the 12th century, Old Slavonic continued to develop and regional dialects emerged. The influence of the Byzantine Empire is still noticeable. During Ottoman rule, Turkish also had a strong influence on the Bulgarian language. In the 20th century, the language was standardized and grammatical rules were established.<\/p>\n\n\n\n

Grammatically, there are similarities to the neighboring Romanian or Mezedonian, although the two languages are not actually related. There are also no cases instead of the six cases in Russian. And both Romanian and Bulgarian have the peculiarity of adding the definite article (der, die das) to the end of nouns instead of putting it in front of the noun, as in German, for example.<\/p>\n\n\n\n

Around 8 million people worldwide speak Bulgarian, with 6.5 million speakers living in Bulgaria itself. Around 1200 native speakers live in Dresden.<\/p>\n\n\n\n

Script<\/h2>\n\n\n\n

At the court of the Bulgarian tsar in Preslav, the highly educated Greek monk Cyril developed the Glagolitic alphabet together with his brother Methodius in the 9th century. This alphabet was complex and was mainly used for liturgical texts.<\/p>\n\n\n\n

The Cyrillic alphabet was created as a further development of the Glagolitic alphabet. It was developed by the students of Cyril and Methodius and was based on the Greek alphabet, supplemented by a few Slavic letters. This alphabet made writing easier and soon became the dominant script in the Slavic world.<\/p>\n\n\n\n

The modern Bulgarian Cyrillic alphabet consists of 30 letters.<\/p>\n\n\n\n

Incidentally, the spelling in Bulgarian is considered simpler than in Russian. The hardness sign, for example, which often causes difficulties for learners of Russian in distinguishing it from the softness sign, is an independent vowel in Bulgarian.<\/p>\n\n\n\n

\n\n\n\n
\n

Dresden spricht …<\/a><\/h4>\n\n\n\n
\n
\n

Workshops, tours, writing and printing workshops under the motto “Dresden speaks many languages”
<\/p>\n\n\n\n

\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Period<\/strong>
03-12.2024<\/p>\n\n\n\n

Porject coordination<\/strong>
Yvonn Spauschus<\/a> (Projektleitung)
Yulia Vishnichenko \u00b7<\/strong> Moussa Mbarek<\/a> \u00b7<\/strong> Nadine W\u00f6lk<\/a> \u00b7<\/strong> Rosa Brockelt \u00b7<\/strong> Yuliya Firsova \u00b7<\/strong> Martin Mannig \u00b7<\/strong> Marco Rademann (workshop leader)
Rosa Brockelt<\/a> \u00b7<\/strong> Rosa Hauch<\/a> \u00b7<\/strong> Falk Goernert<\/a> \u00b7<\/strong> Birthe M\u00fchlhoff (moderation, documentation)
Adina Rieckmann \u00b7<\/strong> Lydia H\u00e4nsel \u00b7<\/strong> Anna-Thilo Schmalfeld (tourguides)
Inge \u00b7<\/strong> Karin \u00b7<\/strong> Salome \u00b7<\/strong> Stellus (voluntary help)<\/p>\n\n\n\n

Cooperation partners<\/strong>
JugendKunstschule Dresden \u2013 Standort Passage<\/a>, Omse e.V.<\/a>, Nachbarschaftshilfeverein<\/a>, Stadtteilverein Johannstadt e.V.<\/a>, Malteser Hilfsdienste e.V., Montagscaf\u00e9 am Staatsschauspiel Dresden<\/a> as well as Chinesisch-Deutsches Zentrum e.V.<\/a>, Lebenshilfe Dresden e.V.<\/a>, GEH8 Kunstraum und Ateliers e.V.<\/a>, Umweltzentrum Dresden \u2013 ABC Tische<\/a>, Internationale G\u00e4rten Dresden e.V<\/a>, ColumbaPalumbus e.V.<\/a>, Ausl\u00e4nderrat Dresden e.V.<\/a>, Blinden- und Sehbehindertenverband<\/a>, L\u00f6btop e.V.<\/a> and many more<\/p>\n<\/div>\n<\/div>\n\n\n\n

Supported by<\/strong><\/p>\n\n\n\n

\n
\n

The project is funded by the State Ministry for Social Affairs and Social Cohesion. This measure is co-financed with tax funds on the basis of the budget passed by the Saxon state parliament within the framework of the state programme Integrative Ma\u00dfnahmen<\/a>.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Bulgarian painter and graphic artist Ljuben Stoev, who died in 2016, studied under Lea Grundig at the Academy of Fine Arts in Dresden in the early 1960s. His nephew, the Dresden artist Ray van Zeschau, followed in his uncle’s footsteps, sold his apartment in Sofia and brought his art back to the place where it all began, fulfilling, albeit posthumously, his uncle’s greatest wish to be able to exhibit in Dresden once again. <\/p>\n","protected":false},"author":14,"featured_media":73913,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"footnotes":""},"categories":[1035],"tags":[],"class_list":["post-74123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dresden-speaks-different-languages-en"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/posts\/74123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/comments?post=74123"}],"version-history":[{"count":2,"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/posts\/74123\/revisions"}],"predecessor-version":[{"id":74168,"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/posts\/74123\/revisions\/74168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/media\/73913"}],"wp:attachment":[{"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/media?parent=74123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/categories?post=74123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturaktiv.org\/en\/wp-json\/wp\/v2\/tags?post=74123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}